Categories

Objects of Rite and Protection

The sacramentals and amulets of the press’s catalogue and the world it comes from: what each was, what it was believed to do, and where it appears in the press’s books. Each opens its entry in the Materia Medica.

Blessed Matter 31

The substances the Church blessed for protection and healing: light, water and salt, oil and wax, incense, herbs, and bread.

Light

Candles blessed at Candlemas, the Paschal candle, the crossed candles of St. Blaise, and the fires of midsummer.

Water and Salt

The oldest of the sacramentals: water and salt, blessed and mingled, and the waters of feasts, saints, and holy springs.

Oil and Chrism

Oils blessed for anointing, from the simple blessed oil any priest could hallow to the three holy oils of Holy Thursday, and the oil of a saint’s tomb.

Wax

Medallions of blessed wax, stamped with the Lamb of God, and the wax offerings hung at shrines.

Incense and Resins

The sweet smokes that honored God, and in the exorcist’s art drove off what could not bear them.

Palms and Herbs

Branches and herbs blessed on the great feasts, hung in the house, and set against hexes.

Bread, Ashes, and Chalk

Bread blessed on saints’ days, the ashes of Ash Wednesday, and the chalk that marks the door at the Epiphany.

Words, Images, and Instruments 32

Holy names and written prayers, medals and crosses, relics, and the instruments of the rite.

Words and Names

Written blessings, holy names, and charm words, folded and worn, written on walls, or carved on rings.

Medals and Crosses

The crucifix, the rosary, and the scapular, and the medals and crosses worn against evil, plague, and storm.

Relics and Pilgrimage

Things touched to the saints and carried home from the holy places.

Instruments of the Rite

What the priest and the exorcist carried: the stole, the sprinkler, the censer, the bells, and the books.

Rings, Coins, and Keys

Healing by the king’s hand and the saint’s iron.

Wards and Amulets 19

What the house and the body carried against harm: wards, charms against the evil eye, protective stones, and one charm of darkness.

Wards of the House

What was hidden in the walls, buried under the hearth, cut in the beams, and hung in the window to keep a house safe.

Against the Evil Eye

The charms of the Mediterranean against the envious gaze.

Amulets and Stones

Stones and simples worn for their hidden virtues rather than taken as medicine.

Charms of Darkness

Not every charm protected: some were made to steal and to harm.

Symbols of the Psyche

“Learn as much as you can about symbolism; then forget it all when you are analysing a dream.”
C. G. Jung’s counsel, as one of his students recalled it

A reference for the study of symbols, not a dictionary of dreams. Jung held that no symbol has a fixed meaning apart from the person in whose life it appears. Each entry gives what he and those after him wrote, and where, so that a reader can go to the sources; it serves the psychological case studies, appendices, and revised editions of the press’s books. What a reader makes of their own dreams is their own affair.

Figures of the Psyche 41

The persons of the inner drama, as Jung named them: the figures that appear in myth, tale, and dream with a life of their own.

The Persons of the Psyche

Parents and Elders

Children and the Young

Heroes and Tricksters

Spirits and Mediators

Wholes and Extremes

Monsters and Hybrids

Gods and Adversaries

Figures of The Red Book

Motifs of Transformation 32

The patterns of change the psyche goes through, and pictures to itself as a journey, a death, a wedding, or a birth.

Journeys

Death and Birth

Unions, Spells, and Changes

Rites and Ordeals

Operations of the Work 15

The operations of the alchemists’ laboratory, which Jung, and Edward Edinger after him, read as the processes by which the psyche is transformed.

Forms and Numbers 17

The shapes and numbers in which Jung found the psyche ordering itself: the circle, the centre, the three and the four.

Shapes

Numbers

Colours and Metals 20

The colours by which the alchemists marked the stages of the work, and the metals, principles, and substances they worked with, read by Jung as stages and substances of the psyche.

The Colours of the Work

Metals, Principles, and Substances

The Natural World 40

Water, fire, stone, and tree, sun and moon, the mountain and the cave: the world outside, carrying the world within.

The Heavens

The Elements

The Land

Growing Things

The Body 15

The heart, the eye, the hand, the blood, and the breath: the body as the psyche pictures itself, and as the traditions read it.

Animals 37

The instinctive psyche in animal form: the serpent and the bird, the beasts of alchemy, and the animal the hero rides or slays.

Serpents and Dragons

Birds

Beasts

Creatures of the Water

Small Creatures

Places and Vessels 33

The containers, thresholds, and ways of the work: the vessel and the house, the door and the bridge, the tower, the ring, and the sword.

Vessels and Enclosures

Ways and Thresholds

Things Held and Worn