Justinus Kerner

Kleksographs

Passages from the members’ text, free to read

These passages come from the parts of Kleksographs that Club members read in full. They are open to everyone, so you can judge the translation before you join. Accounts made and confirmed before January 1, 2027 are Charter Members, free, with every translation, for good.

From Hades Pictures

The Vampyr

From the Hades pictures: the spectre that rises at midnight from the Baron’s vault.

A long vertical figure with a skull at its centre and a second face below, grey wings spreading from it
Kleksographien, Stuttgart, 1890. Getty Research Institute, by way of the Internet Archive.

This spectre is dreadful!
At midnight it rises
From the Herr Baron’s vault.
Then, when it sees a peasant,
It plunges on him out of the air,
Fastens on his heart and draws
All the blood out of him, nearly.
This spectre is called “Vampyr.”
Whether that was once the Baron
I will not and cannot believe;
That would be far too bad, in truth!
If you ask, the peasant says softly:
“‘Twas the Herr Baron’s old
Rent collector and steward.”

Where this passage continues: Hades Pictures

Translation © 2026 B. C. P. Statema. The Thinking Press, Kenosha, Wisconsin. All rights reserved.

From Hades Pictures

Kerner’s own picture

From the Hades pictures: the poet finds himself in the ink.

A tall skeletal figure with ribs and long arms, between batlike wings at the head and the foot
Kleksographien, Stuttgart, 1890. Getty Research Institute, by way of the Internet Archive.

My picture too came out of the black inkwell.
When I saw it, I went pale as a corpse.
Out of the head come black vapours,
The bad arts of medicine and poetry,
The vapour of my whole vain life,
Shame that I am unworthy of so much favour.
Look at the old body, which is a skeleton,
While I still sip at the tree of life;
At the feet, look, the heaviness of earth;
O! if only that could still be stripped off!
I cannot do it, and its power
Draws me down into the night of Hades.

Where this passage continues: Hades Pictures

Translation © 2026 B. C. P. Statema. The Thinking Press, Kenosha, Wisconsin. All rights reserved.

From Hell Pictures

The Devil in the inkwell

From the Hell pictures: what comes crawling up when the pen goes down to the dregs.

A solid black silhouette of a horned, tailed devil in profile, standing upright, a quill in one hand
Kleksographien, Stuttgart, 1890. Getty Research Institute, by way of the Internet Archive.

When I sat again with my pen
Before the inkwell,
And had dipped it deep
Into the ink, down to the dregs,
Something came crawling up
Like the tail of a cat.
I grew ever more afraid,
For the thing grew ever longer,
Far too long for a mouse,
And the Devil crawled out.
First he made three bows,
Looping rings with his tail,
And told me wonders
Of himself, to shine before me:
That he had once been
In the court chancery of Naples.
“Now I am (you will notice),”
He says, “in another place,
(To each according to his works),
A little bit in hell.
Once I was great and rich;
Now, to say it short and straight,
I am, it is true, a poor wretch,
But a busy journeyman
And grinder of the printer’s ink
For Satan’s court printer;
I wanted to tell you quickly
That for black bodies of hell
Your ink is too pale;
I will, to freshen it black,
Mix it with printer’s ink.”
“Away!” I cried, quite pale with rage,
“Do you think I don’t notice that
You are only the devil from before
In a changed figure,
Who went out by the chimney?
If I let myself be carried away by rage,
I would hurl the inkwell
Like Luther at your goat’s head.
But enough for you is this!”
Then I made the sign of the cross,
Which devils cannot bear;
Then quickly he grew thinner still,
Thinner than a spider’s calves,
And as a black, hairy thread
He went out through the keyhole.

Where this passage continues: Hell Pictures

Translation © 2026 B. C. P. Statema. The Thinking Press, Kenosha, Wisconsin. All rights reserved.

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